SF Art Guide: Sept. 11th – 14th, 2025

(featured image) GaHee Park, Rest in Bloom, 2025. Oil on Canvas, 15 x 18 in. *Courtesy of Jessica Silverman Gallery

SF is serving major art energy this week, and you’re invited to the party! From goddess-inspired iconography at Museo Italo Americano to Native resilience and material magic at Jessica Silverman, the city’s art scene is bursting with bold ideas and boundary-pushing beauty. Fort Mason lights up Thursday night with a full-on art walk (think: live music, murals, and shadow puppets), while places like Climate Control SF and Strike-Slip Gallery dive deep into sound, identity, and heritage. It’s a sensory feast—and that’s just the first night.

The weekend keeps the momentum going with must-see shows at Recology, CULT Aimee Friberg, and Telematic Media Arts (hello, AI pets and emotional tech!). Saturday’s lineup is stacked: from SFWA’s 100-year celebration to Root Division’s emerging artist spotlight and Fraenkel Gallery’s powerful photo pairings. Cap it all off Sunday with the Noe Valley Art Festival and Avenue 12’s vibrant homage to Matisse, Diebenkorn, and beyond. Wherever you land, you’ll find art that surprises, moves, and connects. Read on for more info!

Thursday, Sept. 11th

Abstract female torso sculpture by Lorenzo Brucia and contemplative portrait of a pregnant woman by Tricia Grame from Unfolding Female at Museo Italo Americano, featured in the SF Art Guide.

*Courtesy of Museo Italo Americano

Museo Italo Americano

Thu, Sept. 11th 4-8PM

Museo Italo Americano presents “Unfolding Female” by Lorenzo (Larry) Brucia and Tricia Grame, an exhibition exploring the symbolic link between the Virgin Mary and ancient fertility goddesses to honor feminine strength, compassion, and spirituality. The show also features Bufano’s Crucifix and Brucia’s Saint Francis of Assisi – Emotions of the Man. (Sept. 11th – 14th). *Tickets $10 for non-members.

Alison Elizabeth Taylor artwork at Jessica Silverman Gallery featuring a vibrant red geode beside a potted cactus with a yellow bloom against a painted desert landscape, featured in the SF Art Guide.

Artwork: Alison Elizabeth Taylor, Rainbow Fluorite and Bishop’s Cap, 2025. Marquetry Hybrid: Wood Veneer, Shellac, Acrylic, Oil Paint, Sawdust, Glitter, and Mica, 25 x 33 in. *Courtesy of Jessica Silverman Gallery

Jessica Silverman Gallery

Thu, Sept. 11th 5-7PM

Jessica Silverman presents Andrea Carlson’s first solo show “The Lasting,” which reframes myths of Native extinction into narratives of resilience through monumental paintings, works on paper, and sculpture, alongside the group exhibition “Her Dark Materials,” where five artists explore materiality and perception through inventive uses of clay, wood, oil, and pastels. Together, the exhibitions highlight powerful reimaginings of history, identity, and artistic process. (Sept. 11th – Oct. 25th)

Abstract painting by Mike Henderson at Haines Gallery, featuring layered blocks of earthy browns, creams, and vibrant streaks of color with textured brushwork, featured in the SF Art Guide.

Artwork: Mike Henderson, Beyond Time, 2025. Oil on Canvas, 72 x 60 in. *Courtesy of Haines Gallery

Haines Gallery

Thu, Sept. 11th 5-7:30PM

Haines Gallery presents “Mike Henderson: Truth, Love, and Curiosity,” featuring new abstract paintings, earlier works, and experimental 16mm films by the celebrated Bay Area artist. The opening reception during the Fort Mason Art Walk includes a live performance by Henderson’s band, Cabin Fever. (Sept. 11th – Oct. 25th)

Photograph by Ishan Clemenco, Calipers - [Atomic Field: Hiroshima Nagasaki 1945/2025], showing a jet’s white contrail cutting through a clear blue sky, on view at Climate Control SF, featured in the SF Art Guide.

Photo: Ishan Clemenco, Calipers – [Atomic Field: Hiroshima Nagasaki 1945/2025]. *Courtesy of Climate Control SF

Climate Control SF

Thu, Sept. 11th 5-8PM

Climate Control SF presents “Calipers,” a solo exhibition by Ishan Clemenco, exploring his translation of minimalist music principles into sculptural and site-specific works. Drawing on decades of international study and travel, Clemenco transforms concepts of intonation and extended duration into immersive visual and spatial experiences. (Sept. 11th – Nov. 1st)

Artist standing in front of a large outdoor mural at Fort Mason Center for Arts & Culture, part of the free Art Walk featuring exhibitions, performances, and public art, featured in the SF Art Guide.

*Photo courtesy of Fort Mason Center for Arts & Culture

Fort Mason Center for Arts & Culture

Thu, Sept. 11th 5-8:30PM

Fort Mason Center for Arts & Culture hosts a free art walk featuring exhibitions, artist talks, live music, and interactive activities across multiple venues, including Fort Mason Art, Haines Gallery, Arion Press, Museo Italo Americano, and more. The event highlights murals, shadow puppetry, musical performances, and public art projects, offering a dynamic evening celebrating creativity and community.

Promotional poster for "La Raíz" group exhibition curated by Andy Antezana at Strike-Slip Gallery, featured in the SF Art Guide.

*Poster courtesy of Andy Antezana / Strike-Slip Gallery

Strike-Slip Gallery

Thu, Sept. 11th 5-9PM

Strike-Slip Gallery presents “La Raíz,” a group exhibition curated by Andy Antezana celebrating Latine pride and identity through the work of five Latine-American artists exploring heritage, reclamation, and the evolving Latine-American experience. (Sept. 6th – Oct. 30th)

Promotional banner for Valencia Live! at Valencia Street, San Francisco, featured in the SF Art Guide.

*Banner courtesy of Valencia LIVE!

Valencia LIVE!

Thu, Sept. 11th 5-10PM

Valencia LIVE! transforms Valencia Street into a vibrant, all-ages celebration of music, art, and community, with live performances, interactive art, and playful street happenings. Discover local businesses, enjoy delicious bites, snag exclusive deals, and experience the lively spirit of the American Indian Cultural District. (May – Oct. 2025)


Friday, Sept. 12th

Recology San Francisco artists-in-residence exhibition featuring Michael Hall, Helia Pouyanfar, and Elizabeth Estrada's sculpture and assemblage works created from recycled waste stream materials featured in the SF Art Guide.

Artworks: (left to right) Michael Hall, Song Cycle; Helia Pouyanfar, Addendum; Elizabeth Estrada, Entropy.  *Courtesy of Recology San Francisco

Recology San Francisco

Fri, Sept. 12th 5-8PM & Sat, Sept. 13th 12-3PM

Recology San Francisco presents its Artists-in-Residence exhibition featuring new work by Michael Hall, Helia Pouyanfar, and UC Berkeley undergraduate Elizabeth Estrada, with sculpture, assemblage, and installation exploring themes of perception, displacement, and transformation using materials sourced from the waste stream. Join the artist talks on Tuesday, Sept. 16th, 5-7:30 PM—Elizabeth Estrada at 6PM (401 Tunnel), Michael Hall at 6:30PM (503 Tunnel), and Helia Pouyanfar at 7PM (503 Tunnel)—for a deeper look into their creative processes and use of reclaimed materials.

Jasko Begovic artwork from REFUGEES R US at CULT Aimee Friberg, featuring a seated figure in a mask and “Refugees Fly Better” jersey holding a soccer ball and crochet flower with a Cabbage Patch Kids suitcase, exploring themes of immigration and identity, featured in the SF Art Guide.

*Courtesy of CULT Aimee Friberg

CULT Aimee Friberg

Fri, Sept. 12th 6-8PM

CULT Aimee Friberg presents “REFUGEES R US,” a solo exhibition by Bosnian-born, San Francisco–based artist Jasko Begovic. The show features collaborative installations, performances, and interactive art exploring immigration, home, and identity, inviting empathy and connection through creative engagement. (Sept. 9th – Nov. 4th)

Poster for PET by Arvida Byström, curated by Alice Scope at Telematic Media Arts and Gray Area, featuring a bikini-clad figure with pig ears and snout against a neutral backdrop, exploring body, identity, and fantasy, featured in the SF Art Guide.

Image credit: PET, Arvida Bystom, 2025. *Poster by Anton Synytsia / courtesy of Telematic Media Arts

Telematic Media Arts x Gray Area

Fri, Sept. 12th 6-9PM

Telematic Media Arts presents “PET (Projected Emotional Technologies)” a solo exhibition by Swedish artist Arvida Byström, curated by Alice Scope and co-presented by Gray Area as part of Gray Area Festival 2025: TO THE MAXX! The show examines AI companionship through anthropomorphized digital avatars—animal-coded, face-swapped, and shaped by datasets reflecting male desire—exploring desire, emotional labor, and the uncanny intimacy of automated relationships. (Sept. 12th – Nov. 8th)

Promotional poster for "Waves of Remembrance" by Sarah McCarthy Grimm at Upper Market Gallery, featured in the SF Art Guide.

*Poster courtesy of Upper Market Gallery

Upper Market Gallery

Fri, Sept. 12th 6-9PM

Upper Market Gallery presents “Waves of Remembrance” by Sarah McCarthy Grimm, an interdisciplinary exhibition of abstract paintings, collages, prints, and landscape photographs that transform personal experiences into spaces for contemplation.

Promotional poster for "The Other Art World: A History of Art in 15 Minutes" by La Pocha Nostra at Saint Joseph Arts Society, featured in the SF Art Guide.

*Poster courtesy of Saint Joseph’s Arts Society

Saint Joseph’s Arts Society

Fri, Sept. 12th 7-10PM

Saint Joseph’s Arts Society presents “The Other Art World: A History of Art in 15 Minutes” by La Pocha Nostra, a live performance that reimagines overlooked art histories through archetypal figures, gestures, and symbols. The evening also features pianists from the Flower Piano Festival, blending performance, music, and exhibition in a dynamic, thought-provoking celebration. *Tickets $15 (Sept. 12th – Oct. 12th)


Saturday, Sept. 13th

Surreal artwork of a dancer in a flowing red skirt leaping above a lush valley with waterfalls and mountains, promoting SFWA Artists Gallery’s Centennial Celebration featuring exhibitions, demonstrations, and community events, featured in the SF Art Guide.

*Artwork image courtesy of SFWA Artists Gallery

SFWA Artists Gallery

Sat, Sept. 13th 1-6PM

Join SFWA Artists Gallery for its Centennial Celebration, marking 100 years of supporting women and diverse artists. Meet the artists, enjoy refreshments, experience artists-in-action demonstrations, take part in a silent auction, and engage with the community, all alongside exhibitions of jewelry, sculpture, and ceramics, as SFWA continues to nurture creativity and connection.

Black-and-white diptych featuring Peter Hujar’s 1981 portrait of Lynn Davis, with tousled hair and a pensive pose, alongside Katy Grannan’s 2025 photograph Aero, Agate Beach, CA, showing a figure kneeling on sand against ocean waves. Courtesy of Fraenkel Gallery, featured in the SF Art Guide.

Photos: (left to right) Peter Hujar, Lynn Davis, 1981. Katy Grannan Aero, Agate Beach, CA, 2025. Pigment Print, 37-1/2 x 50 in, Edition of 3. *Courtesy of Fraenkel Gallery

Fraenkel Gallery

Sat, Sept. 13th 2-4PM

Fraenkel Gallery presents “The Gracie Mansion Show Revisited,” a recreation of Peter Hujar’s iconic solo exhibition featuring 70 photographs of portraits, nudes, landscapes, and more alongside Katy Grannan’s “Mad River,” which captures the independent-spirited residents of Humboldt County. Both exhibitions explore intimacy, place, and human connection to the environment. (Sept. 4th – Oct. 25th)

Installation view of Belinda Fox 'Tipping the Scales' exhibition at Maybaum Gallery featuring botanical paintings with layered imagery on white gallery walls, featured in the SF Art Guide.

*Photo courtesy of Maybaum Gallery

Maybaum Gallery

Sat, Sept. 13th 2-4PM

Maybaum Gallery presents “Tipping the Scales,” a solo exhibition by Australian artist Belinda Fox, exploring growth, resilience, and the strength of nature through layered paintings and botanical imagery. Her work blends personal and global concerns, balancing intimacy, beauty, and reflection on fragility amid an uncertain world. (Aug. 27th – Oct. 15th)

Edward Burtynsky 'Dry Tailings #1, Kolwezi, Democratic Republic of Congo' 2004 showing terraced mining landscape with colorful mineral deposits and layered rock formations, featured in the SF Art Guide.

Photo: Edward Burtynsky, Dry Tailings #1, Kolwezi, Democratic Republic of Congo, 2004. Pigment Ink Print, 36 x 72 in. / 48 x 96 in. / 58.5 x 117 in. *Courtesy of Robert Koch Gallery

Robert Koch Gallery

Sat, Sept. 13th 2-4PM

Robert Koch Gallery presents “Edward Burtynsky: Transformation,” showcasing monumental photographs that document landscapes reshaped by human activity, from mining and manufacturing to climate-driven environmental changes. The exhibition highlights the profound impact of industry and development on the planet, inviting reflection on our relationship with the Earth. (Sept. 13th – Nov. 29th)

Installation view of Barbara Boissevain and Charlotta Hauksdóttir 'As Above, So Below' exhibition at CHUNG 24 Gallery featuring iceberg paintings and landscape photography on white gallery walls featured in the SF Art Guide

*Photo courtesy of CHUNG 24 Gallery

CHUNG 24 Gallery

Sat, Sept. 13th 2-5PM

CHUNG 24 Gallery presents the closing reception of Barbara Boissevain and Charlotta Hauksdóttir’s “As Above, So Below,”  offering a final chance to experience the exhibition at their San Francisco space.

Brea Souders 'Blue Woman #6' 2024 archival pigment print showing ethereal blue-toned female figure in soft atmospheric lighting, featured in the SF Art Guide.

Artwork: Brea Souders, Blue Woman #6, 2024. Archival Pigment Print, 16 x 20 in, Edition of 3 +1AP. *Courtesy of EUQINOM Gallery

EUQINOM Gallery

Sat, Sept. 13th 3-5PM

EUQINOM Gallery presents “Blue Women,” Brea Souders’ first solo exhibition with the gallery, exploring the interplay of technology, identity, and image through rephotographed storefront posters and AI-mediated projects. The works trace fading beauty, digital manipulation, and human–machine intimacy, revealing how desire, memory, and meaning persist across time, space, and artificial interfaces. (Sept. 13th – Nov. 1st)

Steven Alexander's 'Arcade 11,' abstract painting with four vertical color bands in pink, green, blue, and yellow on linen, featured in the SF Art Guide.

Artwork: Steven Alexander, Arcade 11, 2021. Oil and Acrylic on Linen, 16 x 14 in. *Courtesy of K. Imperial Fine Art

K. Imperial Fine Art

Sat, Sept. 13th 3-5PM

K. Imperial Fine Art presents “A Matter of Form,” a group exhibition featuring Susan English, Mel Prest, Steven Alexander, and Shingo Francis. Through distinct approaches to abstraction and color field painting, the artists explore surface, perception, and the sensory impact of color. (Sept. 9th – Oct. 18th)

Two contemporary oil paintings displayed side by side: John Santoro's 'The Sprites of Spring' (2025) featuring an abstract landscape with blue sky and green vegetation on 36x36 inch canvas, and Catherine Maize's 'Tabletop Vases with Lemon' (2025) showing a still life of ceramic vessels and yellow fruit on 6x6 inch panel, featured in the SF Art Guide.

Artworks: (left to right) John Santoro, The Sprites of Spring, 2025. Oil on Canvas, 36 x 36 in. Catherine Maize, Tabletop Vases with Lemon, 2025. Oil on Panel, 6 x 6 in. *Courtesy of Paul Thiebaud Gallery

Paul Thiebaud Gallery

Sat, Sept. 13th 3-5PM

Paul Thiebaud Gallery presents “Mud Time and the Sprites of Spring” by John Santoro and Recent Paintings by Catherine Maize. Santoro’s gestural abstractions capture the drama of extreme weather, while Maize’s contemplative still-lifes and landscapes reveal subtle explorations of light, form, and compositional balance—don’t miss the gallery talk at 3:30PM. (Sept. 13th – Nov. 8th)

Side-by-side artworks from Anglim/Trimble: 'Enrique Chagoya’s Encounter at the Border of Language' (2024), a satirical painting on handmade amate paper featuring an Indigenous figure in superhero costume, and Colette Standish’s 'Reveal' (2025), a dreamlike superimposed photo print exploring the erotic subconscious, featured in the SF Art Guide.

Artworks: (left to right) Enrique Chagoya, Encounter at the Border of Language (detail), 2024. Acrylic and Water-Mixable Oil on Handmade Amate Paper Mounted on Canvas, 60 x 80 in. Colette Standish, Reveal, 2025. Superimposed Photo Print on Textured Archival Watercolor Paper, 22 x 30 in. *Courtesy of Anglim/Trimble

Anglim/Trimble at Minnesota Street Project

Sat, Sept. 13th 4-6PM

Anglim/Trimble presents “Déjà Vu” by Enrique Chagoya, a survey of paintings, prints, and drawings from 2004–2025 that reimagine history with satirical imagery drawn from pop culture, politics, and Mesoamerican traditions. Complementing the show is Colette Standish’s “Dreamscape of the Erotized Body,” which explores erotic desire through prints and video merging the subconscious dream world with conscious experience. Both exhibitions are on view in Room 209 at Minnesota Street Project. (Sept. 13th – Oct. 25th)

Nina Katz 'Waiting' acrylic on wood painting featuring abstract figures in vibrant colors with layered brushwork and fragmented forms, featured in the SF Art Guide.

Artwork: Nina Katz, Waiting. Acrylic on Wood, 65 x 90 in. *Courtesy of Jack Fischer Gallery

Jack Fischer Gallery

Sat, Sept. 13th 4-6PM

Jack Fischer Gallery presents “Figures & Fragments,” an exhibition by Nina Katz featuring intimate and visceral portraits that reveal her subjects’ quirks, personality, and hidden traits. Blending abstraction and realism, Katz’s work interprets culture, psychology, and societal context, with her still-life paintings reflecting the same depth and character. (Sept. 13th – Nov. 15th)

Promotional poster for "They Look Better in Person," showcasing new material explorations by artist Josh Warren at Bane Gallery, featured in the SF Art Guide.

*Poster courtesy of Bane Gallery

Bane Gallery

Sat, Sept. 13th 4-9PM

Bane Gallery presents “They Look Better in Person,” featuring new material explorations by artist Josh Warren. The exhibition debuts with an opening reception at the gallery.

Promotional poster for 'Super Flex' art Festival at Edge on the Square, featured in the SF Art Guide.

*Banner courtesy of Edge on the Square

Edge on the Square

Sat, Sept. 13th 4-10PM

Edge on the Square presents “SUPER FLEX,” a vibrant contemporary art festival transforming San Francisco’s Chinatown with Asian-American and BIPOC artists exploring alter egos, power, and imagination. The event celebrates solidarity, freedom, and joy through immersive street-wide art experiences.

Promotional poster for "Assembly Required," a group exhibition featuring Michelle Gregor, Françoise LeClerc, Rich Nyhagen, and Daniel Stingle at Inclusions Gallery, featured in the SF Art Guide.

*Poster courtesy of Inclusions Gallery

Inclusions Gallery

Sat, Sept. 13th 5-7PM

Inclusions Gallery presents “Assembly Required,” a group exhibition featuring Michelle Gregor, Françoise LeClerc, Rich Nyhagen, and Daniel Stingle, exploring texture, layering, and the transformation of materials. The artists’ work reflects a non-linear, hands-on approach, revealing traces of past forms while building, altering, and reimagining objects in new ways. (Sept. 6th – Oct. 12th)

Mercy Hawkins 'Untitled' 2025 paint on Yupo paper with thread showing organic sculptural form with colorful striped patterns and stitched edges featured in the SF Art Guide.

Artwork: Mercy Hawkins, Untitled, 2025. Paint on Yupo Paper with Thread. *Courtesy of Marrow Gallery

Marrow Gallery

Sat, Sept. 13th 5-8PM

Marrow Gallery presents “Face the Music,” a solo exhibition by Mercy Hawkins featuring large watercolor and hybrid sculptural paintings that explore the body’s rhythms, breath, and connection to the natural world. Through her work, Hawkins invites viewers to engage with intuitive, sensory experiences that reflect harmony with the environment and the urgency of our planet’s ongoing crises. (Aug. 27th – Sept. 27th)

Two contemporary artworks in gallery setting: Carlos Agredano's 'Parasol' (2023), a large turquoise beach umbrella installation on wooden floor, and Najah Alboushi's 'Saffron Portal' (2022), a delicate borosilicate glass arch sculpture with purple flowers and green vines on white wall, featured in the SF Art Guide.

Artworks: (left to right) Carlos Agredano, Parasol, 2023. Parasol, 81 x 71 in. Najah Alboushi, Saffron Portal, 2022. Borosilicate Glass and Flocking, 10 x 13 x 2 in. *Courtesy of Slash Art

Slash Art

Sat, Sept. 13th 5-8PM

Slash Art presents “Like a City,” a group exhibition curated by Sophie Appel that reflects on the blurred line between fiction and reality in Los Angeles through works by artists including Carlos Agredano, Anais Franco, and Amalia Irons in the main gallery.  In /room/, Najah Alboushi’s “Thresholds Between Worlds” features glass and Tatreez sculptures merging the architecture and plant life of Oakland and Damascus. (Sept. 13th – Dec. 13th)

Promotional banner for "Introductions 2025," a signature exhibition at Root Division, featured in the SF Art Guide.

*Banner courtesy of Root Division

Root Division

Sat, Sept. 13th 6-8PM

Root Division presents “Introductions 2025,” a signature exhibition showcasing twelve emerging Bay Area artists without gallery representation across diverse media, including video, sculpture, photography, ceramics, textiles, painting, and installation. Selected through a rigorous juried process, the show offers a vibrant snapshot of the region’s creative landscape. (Aug. 13th – Sept. 20th)


Sunday, Sept. 14th

Promotional poster for the Noe Valley Art Festival presented by Friends of Noe Valley, featured in the SF Art Guide.

*Poster courtesy of Friends of Noe Valley

Friends of Noe Valley

Sun, Sept. 14th 10AM-4PM

Friends of Noe Valley presents the Noe Valley Art Festival, a free community celebration featuring paintings, photography, sculpture, jewelry, and multimedia art alongside live music and activities for kids. Explore works by local artists and enjoy performances by the Liberty Street Band and guitarist Dave Kessler in the lively Town Square.

William Otton 'Diebenkorn and Matisse Meet in the Middle' oil on canvas painting featuring colorful interior scene with geometric forms and modernist influences featured in the SF Art Guide

Artwork: William Otton, Diebenkorn and Matisse Meet in the Middle. Oil on Canvas, 30 x 40 in. *Courtesy of Avenue 12 Gallery

Avenue 12 Gallery

Sun, Sept. 14th 2-5PM

Avenue 12 Gallery presents William Otton’s “Essence of Truth,” featuring modern paintings that blend vibrant color, symmetry, and playful references to masters like Matisse, Diebenkorn, Monet, Picasso, and Hopper, with artist remarks at 3PM. His work balances formal structure and whimsy, inviting viewers to experience joy and reflection through layered dialogues and newly imagined vistas.

Cartoon Art Museum Emerging Artist Showcase featuring Wahab Algarmi's 'Almost Sunset' graphic novel cover showing young Muslim character with soccer ball against sunset cityscape featured in the SF Art Guide

*Courtesy of Cartoon Art Museum

Cartoon Art Museum

Sun, Sept. 14th 4-6PM

The Cartoon Art Museum presents Wahab Algarmi in its Emerging Artist Showcase, featuring selections from his middle-grade graphic novel Almost Sunset. Algarmi’s work explores family, faith, and everyday life with humor and heart, highlighting new voices in contemporary comics. (May 10th – Sept. 14th)

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